“After leaving Silver Falls following Alex’s love confession and her kiss with Cole, Jackie Howard spent the summer in New York City. When Katherine...
While I loved Superman, the same cannot be said about the newest superhero movie to hit the big screen. The Fantastic Four always struggles to make a successful adaptation. They seemingly find the right cast, but the wrong script. The Fantastic Four: First Steps heads in a better direction than its predecessors but lacks the charm that typically leaves audiences wanting more.
Like James Gunn’s Superman, First Steps avoids an origin story. Set during a retro-futuristic 1960’s, the Fantastic Four and all their merchandise is adored in this world. Early in the film we learn that Sue Storm is pregnant with her and Reed Richard’s first child, which they had given up trying to conceive. This happy news is briefly celebrated around the world until Earth receives a harrowing warning by the Silver Surfer. She leads the Fantastic Four to a greedy and evil space God named Galactus, who threatens to destroy the planet unless Sue gives up her possibly superpowered baby.
I really wanted to love this one. The cast, including Pedro Pascal, Vanessa Kirby, Ebon Moss, and Joseph Quinn sounded so promising. But even their performances feel a little lackluster until the final act of the film. I do still have faith in them, but Marvel needs to figure out how to make audiences connect with their characters again. They had the right idea with Thunderbolts, but that may be because we already had established relationships with many of those characters. The only real attempt to feel anything here is Sue and Reed as first-time parents. Though we have empathy for them, what we know about those two, along with Johnny Storm and Ben Grimm is all surface level. And while the parenting storyline is sweet and I appreciate the simplicity of the plot, the embarrassingly poor CGI on their baby son is cringing and takes you out of the movie.
The biggest issue with First Steps is how it takes itself entirely too seriously. The jokes they attempt do not land, and with this group, you’d think there would be a few chuckles. The Fantastic Four: First Steps is the best out of the four adaptations so far, but that is not saying much. However, if you stick around for the end credit tease, they do leave audiences with something to look forward to. Giving a little bit of hope for these characters you so desperately want to root for.
James Gunn tries his hand at a new Superman movie, and because of my love for the filmmaker, I went into this film cautiously optimistic, even though there hasn’t been a good Superman adaption since Smallville, no offense to Henry Cavill who did an amazing job with what he had to work with. And as I have said many times before, audiences are experiencing superhero fatigue, but I am happy to say this film blew me away. Gunn has revitalized the genre, especially for DC, and given us a Superman we can truly look up to.
Luckily for everyone, this is not an origin story. The film begins with him as an established superhero in Metropolis for 3 years, while, as many of us know, also working at the Daily Planet as Clark Kent. He is already dating Lois Lane and Lex Luthor is on a mission to destroy him. This is not a retelling of what we have seen a hundred times before, instead this story addresses real world issues, struggling with your identity and acceptance in world you’re not from, and, showing a vulnerable and humorous side to the man of steel, we haven’t seen before. Read full review here.
Jessica (Megan Stalter) is a New York workaholic in her mid-thirties, reeling from a broken relationship that she thought would last forever and slowly isolating everyone she knows. When every block in New York tells a story of her own bad behavior, the only solution is to take a job in London, where she plans to live a life of solitude like a Bronte sister. But when she meets Felix (Will Sharpe) – a walking series of red flags – she finds that their unusual connection is impossible to ignore, even as it creates more problems than it solves.
TOO MUCH is another witty and relatable story by creator Lena Dunham, who continues to write authentic and endearing characters you can’t help but root for. I had the incredible opportunity to speak with Dunham, Megan Stalter, and Will Sharpe about the series.
The last two Jurassic World films were a convoluted mess: a disappointing misfire after such a promising start to the revived franchise. After nearly three years, director Gareth Edwards tries his hand at a new installment with a brand-new cast. And while it is miles better than “Fallen Kingdom” and “Dominion”, that may not be saying much about “Jurassic World Rebirth”.
The film is set five years after the events of “Jurassic World: Dominion”. Dinosaurs are on the brink of extinction again as our ecosystem is not built for them and they are struggling to survive. Those still alive have made a home for themselves in a more tropical environment similar to where they once thrived. Three of the most colossal creatures carry genetic material that could be the key to a life-saving drug that could benefit humankind. Read full review here.
Rating: C+
“Jurassic World Rebirth” opens in theaters July 2, 2025
