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Archives for : 1960s

Movie Review: “The Fantastic Four: First Steps”

While I loved Superman, the same cannot be said about the newest superhero movie to hit the big screen. The Fantastic Four always struggles to make a successful adaptation. They seemingly find the right cast, but the wrong script. The Fantastic Four: First Steps heads in a better direction than its predecessors but lacks the charm that typically leaves audiences wanting more.

Like James Gunn’s SupermanFirst Steps avoids an origin story. Set during a retro-futuristic 1960’s, the Fantastic Four and all their merchandise is adored in this world. Early in the film we learn that Sue Storm is pregnant with her and Reed Richard’s first child, which they had given up trying to conceive. This happy news is briefly celebrated around the world until Earth receives a harrowing warning by the Silver Surfer. She leads the Fantastic Four to a greedy and evil space God named Galactus, who threatens to destroy the planet unless Sue gives up her possibly superpowered baby.

I really wanted to love this one. The cast, including Pedro Pascal, Vanessa Kirby, Ebon Moss, and Joseph Quinn sounded so promising. But even their performances feel a little lackluster until the final act of the film. I do still have faith in them, but Marvel needs to figure out how to make audiences connect with their characters again. They had the right idea with Thunderbolts, but that may be because we already had established relationships with many of those characters. The only real attempt to feel anything here is Sue and Reed as first-time parents. Though we have empathy for them, what we know about those two, along with Johnny Storm and Ben Grimm is all surface level. And while the parenting storyline is sweet and I appreciate the simplicity of the plot, the embarrassingly poor CGI on their baby son is cringing and takes you out of the movie.

The biggest issue with First Steps is how it takes itself entirely too seriously. The jokes they attempt do not land, and with this group, you’d think there would be a few chuckles. The Fantastic Four: First Steps is the best out of the four adaptations so far, but that is not saying much. However, if you stick around for the end credit tease, they do leave audiences with something to look forward to. Giving a little bit of hope for these characters you so desperately want to root for.

Rating: C-

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“CAROL DODA TOPLESS AT THE CONDOR” OPENS IN DALLAS ON APRIL 19, 2024

Documentary Explores Legendary Dancer Who Ignited Flames of the 1960s

Sexual Revolution; Dallas’s Top Burlesque Dancers With Minxe Mimieux As The Lead Dancer Will Perform Live Revue at Select Opening Weekend Shows

Picturehouse’s CAROL DODA TOPLESS AT THE CONDOR, exploring the history and impact of the legendary topless dancer who ignited the 1960s sexual revolution, will open in Dallas exclusively at the Angelika Film Center (5321 E Mockingbird Ln #230) on Friday, April 19. 

Opening weekend audiences will experience a special live pre-show revue, “Doda-esque Burlesque,” featuring a bevy of Dallas’s own top burlesque dancers with Minxe Mimieux as the lead dancer in a spectacular tribute to Carol Doda’s with a special post screening Q&A.

As the lights go down…experience a special live pre-show performance of “Doda-esque Burlesque!” A spectacular tribute to Carol Doda featuring a bevy of enchanting local burlesque performers. Sit back and enjoy as the divas of today pay tribute to the ultimate diva of yesterday. Come early! Taking place prior to the film, this live performance will have NO NUDITY, and promises to be an exciting and teasing good time!

Click here to get your tickets!

https://www.angelikafilmcenter.com/dallas/movies/details/carol-doda-topless-at-the-condor–live-pre-show-performance-of-doda-esque-burlesque

Directed by: Marlo Mckenzie, Jonathan Parker

Written by: Marlo McKenzie, Jonathan Parker

Cast: Carol Doda, Dina Moore, Charles North

Rated: R for nudity/graphic nudity throughout, some sexual material, language and drug content

Synopsis Against the backdrop of the 1964 Republican Convention, a San Francisco cocktail waitress became one of the city’s most popular entertainers after making her debut as America’s first topless dancer. The new documentary feature Carol Doda Topless at the Condor tells the story of the fresh-faced girl next door who defied convention and the law by gyrating atop a white baby grand piano and turning a North Beach nightclub into the city’s second-most-popular tourist attraction after the Golden Gate Bridge. Meanwhile, Doda’s very public use of silicone to enhance her breasts launched a new industry. Directors Marlo McKenzie and Jonathan Parker share an unprecedented look at Doda’s life and legacy, as well as a behind-the-scenes tour of the vibrant, sometimes outrageous and always entertaining world of North Beach.