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Movie Review: “Besties” is a Friendship I’m Glad to be Done With

For many of us, films about the overly obsessive best friend who eventually goes on to have a psychotic rampage tend to be an enjoyable guilty pleasure.  However, director/writer Rebecca Cutter fails to give an equally entertaining script with her latest project.

Besties tells the story of Sandy (Olivia Crocicchia), a dorky underclassman who idolizes the babysitter that has lived next door to her for years.  Ashley (Madison Riley) is a gorgeous, fun, and popular senior.   She is also manipulative bitch.  On the night that her dad goes out of town for work, Sandy excitedly asks Ashley to baby-sit her.  Ashley takes advantage of this opportunity to throw a party in which a destructive ex makes an unexpected visit.  When things get out of hand, the night ends with deadly results.  To make sure she never reveals the secrets of that night, Ashley entices Sandy with a “friendship” she wouldn’t dare want to risk losing.

The premise sounds interesting enough.  I even appreciate the slight originality of role reversal with who is actually good and bad in this film.  Movies like Single White Female and The Roomate focus on the pretty and sweet girl who has unknowingly become a victim to the crazy, obsessive new friend.  Sandy is very much the victim in Besties.  The problem with this film, in comparison to its predecessors, is the tamed and boring actions that follow after the two girls become best friends.  Yes, Ashley is mean but there really isn’t a boiling point for Sandy that makes the audience: one- want to sympathize for her, and two- really want her to overcome Ashley.

Maybe if there were more talented actors, the movie could have been a bit thrilling.  Crocicchia was tolerable, but her attempt to act drunk was almost as embarrassing as watching Bobby Soto try to play a convincing love interest for her character.  A couple shots of vodka for Crocicchia, and a few acting lessons for Soto could have made for a better film.  Thank goodness for Riley’s performance as the conniving antagonist.  She is truly the only reason I was able to keep watching this movie.  Although, if Ashley’s mom (Jackie Debatin) and Sandy ’s dad (Corin Nemec) would have played a bigger part, I think we could have had an interesting side story.

Besties is a low-budget drama/thriller that starts out with so much potential, but falls incredibly flat.

Watch Besties on demand at phase4films.com

 Besties Trailer HD

Originally posted on RedCarpetCrash.com

Movie Review: “The Past” Is A Storytelling Masterpiece

Academy Award winner Asghar Farhadi once again showcases his unpredictable and enticing storytelling skills in his latest drama thriller.

Four years ago Ahmed (Ali Mosaffa) left his French wife, Marie (Bérénice Bejo), and her two daughters from a previous marriage, to return to his homeland, Iran.   Now he has come back to France to finalize his divorce so his wife can remarry.  Upon his arrival, he comes to find out that Marie’s oldest daughter, Lucie (Pauline Burlet), can not stand the future husband to be, who also has his own son.  As Ahmed begins to discover the reasoning behind Lucie’s hate, secrets of how Marie and her fiancée got together start to unfold; leading to one shocking truth after another.

I think it’s best to not go into too much detail of the events that occur in this film.  The beauty and brilliance of the bilingual movie, spoken in both French and Persian, is how you are not able to figure out what will happen next.  In fact, you will probably assume that you have the entire story pegged out already.  It is definitely laid out that way in the beginning.  But like his format in A Separation, Farhadi makes the audience suspect multiple scenarios while keeping them on the edge of their seats.

The Past features spellbinding performances by the entire cast, with a stand-out performance by Bérénice Bejo.  Famously known for her role in The Artist, Academy Award nominee Bejo is even more captivating with sound.  Alongside her remarkable acting is the exceptional direction.  Farhadi not only writes a scintillating, detailed script without heavy dialogue, he also shoots his scenes in the most creative, yet subtle technique.

For anyone who enjoyed A Separation, I guarantee you will not be disappointed with The Past.  Following the same style and tone, this film draws you in and keeps you guessing till the very end.  The magnificent final shot will leave audiences experiencing various emotions when the last character that you would expect, sheds a tear.

Rated PG-13 for mature, thematic material and brief strong language.

The Past hits theaters on January 17.

The Past Trailer HD

Originally posted on RedCarpetCrash.com